/* You can add global styles to this file, and also import other style files */
@import 'tailwindcss';

/* Design tokens for the "observatory instrument" HUD shared across the app. `--color-*`/`--font-*`
 * names automatically become Tailwind utilities (e.g. `--color-accent` -> `bg-accent`/`text-accent`).
 *
 * One family only: every string in this UI is a measurement, an identifier, or a catalog label, so
 * the readout face carries the whole hierarchy through weight, size, and tracking. */
@theme {
  --font-body: 'JetBrains Mono', ui-monospace, 'Cascadia Mono', 'Segoe UI Mono', monospace;

  --color-void: #04060c;
  --color-panel: #070d16;
  --color-accent: #4dd7ff;
  --color-text: #e3ecf7;
  --color-muted: #90a6bd;
  --color-border: #24455a;
}

html,
body {
  height: 100%;
  margin: 0;
  background: var(--color-void);
  color: var(--color-text);
  overflow: hidden;
  font-family: var(--font-body);
}

/* The panel surface every HUD element shares: a hairline border over a near-opaque fill. One
 * definition, because spelling the recipe out per call site is how it forked into /85 and /92
 * variants within a single change. Deliberately no backdrop blur: the canvas underneath is
 * redrawn every frame by the render loop, so a blur here is re-sampled continuously — a
 * standing GPU cost for an effect a 92%-opaque fill mostly hides anyway. */
@utility hud-surface {
  border: 1px solid color-mix(in oklab, var(--color-border) 60%, transparent);
  background-color: color-mix(in oklab, var(--color-panel) 92%, transparent);
}

/* The two label voices of the single-face type system, named so call sites cannot drift a few
 * thousandths of an em apart. `type-label` is the working voice — section headings, readout
 * labels, buttons; `type-eyebrow` is the wider-tracked identity line above a title. */
@utility type-label {
  font-size: 10px;
  letter-spacing: 0.16em;
  text-transform: uppercase;
}

@utility type-eyebrow {
  font-size: 10px;
  letter-spacing: 0.18em;
  text-transform: uppercase;
}

/* The HUD's signature: four corner tick brackets cut into a panel's hairline frame. Drawn as
 * eight background gradients so any panel (or the viewport frame) picks them up without the
 * eight extra DOM nodes the same mark would otherwise cost. Override `--hud-tick` per element
 * (e.g. `[--hud-tick:1.75rem]`) to scale the marks with the surface they frame. */
@utility hud-brackets {
  --hud-tick: 0.625rem;
  --hud-mark: color-mix(in oklab, var(--color-accent) 65%, transparent);
  background-image:
    linear-gradient(var(--hud-mark) 0 0), linear-gradient(var(--hud-mark) 0 0),
    linear-gradient(var(--hud-mark) 0 0), linear-gradient(var(--hud-mark) 0 0),
    linear-gradient(var(--hud-mark) 0 0), linear-gradient(var(--hud-mark) 0 0),
    linear-gradient(var(--hud-mark) 0 0), linear-gradient(var(--hud-mark) 0 0);
  background-repeat: no-repeat;
  background-size:
    var(--hud-tick) 1px,
    1px var(--hud-tick),
    var(--hud-tick) 1px,
    1px var(--hud-tick),
    var(--hud-tick) 1px,
    1px var(--hud-tick),
    var(--hud-tick) 1px,
    1px var(--hud-tick);
  background-position:
    left top,
    left top,
    right top,
    right top,
    left bottom,
    left bottom,
    right bottom,
    right bottom;
}

/* The one authored moment: a panel doesn't fade in, it acquires — wiping down under an
 * exponential ease-out the way a readout fills once an instrument locks onto a target. */
/* `backwards`, not `both`: `both` leaves the final keyframe applied for good, and that keyframe
 * carries a clip-path — which goes on clipping the panel's own box forever after, so anything
 * that has to escape it (a dropdown opening upward, a tooltip) is cut away and cannot even be
 * clicked. `backwards` holds the opening frame before the wipe and lets the element return to
 * its own styles after it. */
@utility hud-acquire {
  animation: hud-acquire 380ms cubic-bezier(0.16, 1, 0.3, 1) backwards;
}

@keyframes hud-acquire {
  from {
    opacity: 0;
    clip-path: inset(0 0 100% 0);
  }
  to {
    opacity: 1;
    clip-path: inset(0 0 0 0);
  }
}

@media (prefers-reduced-motion: reduce) {
  .hud-acquire {
    animation-duration: 1ms;
  }
}

/* Darkens the edges of the frame so the map reads as a lit display rather than a flat page. */
.hud-vignette {
  pointer-events: none;
  background: radial-gradient(ellipse at center, transparent 45%, color-mix(in srgb, var(--color-void) 72%, transparent) 100%);
}

/* Star name labels rendered by CSS2DRenderer (see StarLabelOverlay). These live outside
 * Angular's view encapsulation as plain DOM nodes, so they're styled here rather than through
 * a scoped component stylesheet. */
.star-label-layer {
  position: absolute;
  top: 0;
  left: 0;
}

/* Two-line map label: what the thing is called, then what it is. The type line is deliberately
 * much quieter than the name — it should be readable when looked at and invisible when not,
 * because on a crowded view it is printed as many times as there are labels.
 *
 * Offset from the anchor with a margin, not a translate: `CSS2DRenderer` rewrites the inline
 * `transform` every frame, and the margin is the one offset it can never overwrite. The
 * hairline `::before` is the leader line back to the point the label names. */
.map-label {
  position: relative;
  margin-left: 0.875rem;
  display: flex;
  flex-direction: column;
  line-height: 1.15;
  text-shadow:
    0 0 6px var(--color-void),
    0 0 3px var(--color-void);
}

/* Geometry assumes the label's left edge sits at the star — StarLabelOverlay sets the
 * CSS2DObject's center to (0, 0.5) to make that true. Under the default (0.5, 0.5) the
 * renderer keeps the box centred on the point and this line floats in empty space. */
.map-label::before {
  content: '';
  position: absolute;
  top: 50%;
  left: -0.75rem;
  height: 1px;
  width: 0.625rem;
  background: color-mix(in oklab, var(--color-accent) 60%, transparent);
}

/* The quieter voice: a star outside the system the camera is in, named so its direction can be
 * read without leaving. Dimmed rather than shrunk — at the same size it still reads as a name,
 * where a smaller one would read as a footnote to the system rather than a place beyond it. */
.map-label--ghost .map-label-name {
  /* 65% of the accent over the void is 5.4:1 — a ghost is interactive, so it holds the same
   * contrast floor as body text rather than the lower one large or decorative text could take. */
  color: color-mix(in oklab, var(--color-accent) 65%, transparent);
}

.map-label--ghost .map-label-kind {
  /* Quieter than the name it belongs to, and still 4.7:1. */
  color: color-mix(in oklab, var(--color-accent) 60%, transparent);
}

.map-label--ghost::before {
  background: color-mix(in oklab, var(--color-accent) 30%, transparent);
}

/* Selectable labels are buttons: the only ones the pointer can reach, since the layer they
 * live in is transparent to it. They brighten to full strength on approach, which is the whole
 * hover affordance — a ghost lighting up is the map saying this one is somewhere to go. */
.map-label--select {
  pointer-events: auto;
  cursor: pointer;
  background: none;
  border: 0;
  padding: 0;
  font: inherit;
}

.map-label--select:hover .map-label-name,
.map-label--select:focus-visible .map-label-name {
  color: var(--color-accent);
}

.map-label--select:hover::before,
.map-label--select:focus-visible::before {
  background: color-mix(in oklab, var(--color-accent) 60%, transparent);
}

.map-label--select:focus-visible {
  outline: 1px solid var(--color-accent);
  outline-offset: 3px;
}

/* The mirror: text hangs off the point's left, right-aligned, leader line on its right. */
.map-label--left {
  margin-left: 0;
  margin-right: 0.875rem;
  align-items: flex-end;
  text-align: right;
}

.map-label--left::before {
  left: auto;
  right: -0.75rem;
}

.map-label-name {
  font-size: 11px;
  letter-spacing: 0.08em;
  text-transform: uppercase;
  color: var(--color-accent);
}

.map-label-kind {
  font-size: 8px;
  letter-spacing: 0.3em;
  text-transform: uppercase;
  color: color-mix(in oklab, var(--color-accent) 70%, transparent);
}

/* The selection mark on a body in the scene: two hairline arcs bracketing the point — the one
 * mark borrowed from the ARK's control disc, at hairline weight. Sized in pixels because it sits
 * on the body's projected position and should read the same however far the camera is. Centred
 * on the point by CSS2DRenderer's default (0.5, 0.5) anchor. */
.map-select {
  width: 28px;
  height: 28px;
  border-radius: 50%;
  border: 1px solid transparent;
  border-left-color: var(--color-accent);
  border-right-color: var(--color-accent);
  pointer-events: none;
}